Matthew Kelly at the age of 30 brings to any film or television production 10 years of experience in Production, finance and administration.

      Kelly’s production company, Stage 18 Pictures Inc., is a well established production entity with offices in Vancouver, British Columbia. Stage 18’s last completed productions were the films, “Arbor Vitae” starring William B. Davis and Janet Wright, and the feature thriller “The Untold”, starring Lance Henriksen and Andrea Roth. Pre-production has now commenced on two new projects, a feature film entitled, “Quiet Breathing”, starring Alan Cumming and “Give Losers Dignity” with Molly parker set to star. As well, Stage 18 has some great projects in development including “Hard Luck Cowboys”, written by David Howard (Galaxy Quest).

      Kelly's recently completed “The Invitation”, again starring Lance Henriksen will be distributed by Lions Gate Films in December 2003 and among other credits over the last two years include the road comedy, “Little Boy Blues” featuring Adam Beach and the thriller “Sister Blue ” which hits theaters in 2003. Kelly’s early ventures into the industry included working behind the scenes lighting for IATSE on such shows as Aerosmith’s - Get a Grip tour, the national tour of Cats and various concerts like Garth Brooks and Sting. Moving up the ranks he would venture out as a lighting designer for The Phantom of the Opera Concert tour, Miss Saigon and a national tour of West Side Story. Soon to follow Matthew became VP of Production for 4-Star Entertainment where he produced a number of theatrical regional productions and National tours, such as The Matchmaker, South Pacific, and Damn Yankees. Wanting to learn as much as possible on the film side, he worked in a variety of production positions which included wardrobe assistant for TriStar’s, “Legends of the Fall” and extras casting for MGM’s, “Convict Cowboy” and NBC’s, “ Children of the Dust”.

      While producing various projects Matthew also worked as an established talent agent for such companies as Excel Talent Management and Wagner Fox & Associates, where he enjoyed his time negotiating deals for his clients on such projects as The X-Files, Millennium and The Sixth Man for Walt Disney.

      Matthew and his team also offer production services to clients with a wide range of experience on feature films, TV movies and series. Stage 18 has an ongoing relationship with the Canadian unions and has been successful at administrating both union and non-union agreements. Stage 18 also has extensive community alliances as well as excellent supplier deals and financing sources.

      Daniel Ross is an accomplished and versatile singer/songwriter, composer and producer. He works prolifically on soundtracks for film and television, at times producing other singer/songwriters and occasionally emerging from the studio to perform his own work or in support of his collaborators. The long hours and unforgiving deadlines of producing for the film and TV industries have honed Daniel’s arranging, multi-instrumental, and technical skills. From symphonic score for film, to experimental ambient, electronica, roots, jazz, folk and pop, he crafts much of his work in his studio, The Spinning Widget.

      Live on stage, while Daniel has made a reputation with his distinctive guitar style, he also performs on bass, keys, drums and percussion with a variety of different artists. He regularly performs as part of Juno Award winner John Bottomley’s band, and is currently collaborating with Bottomley on a new record for release in Spring 2004. Daniel is also a ‘satellite’ member of acoustic/blues act The Blue Voodoo, and will produce songs for the band’s second CD, also set for release in Spring 2004. Some of Daniel’s favourite live shows were as lead guitarist with Shannon Moore’s band Deep Julia, opening for Peter Frampton, Jewel, and Radiohead.

      Daniel’s credits are stamped on a wide variety of projects. In addition to his score for the internationally acclaimed award-winning television series Madison (on which he co-wrote and produced songs for the series with lyricist/vocalist and Gemini Award winning actress Sarah Strange), he co-produced singer/songwriter Allen Dobb's critically acclaimed Horses and Hills, joining Dobb to tour in support of the CD; he was honoured in New Orleans at the international Promax 2000 Awards, where he shared a Gold award for his sound design and score for Knowledge Network’s Everything Begins With A Thought; he received a CTC award for his score and sound design for Doug Greenall’s stage play Dead Serious, and has re-kindled his collaboration with Greenall on the filmmaker’s feature film Sister Blue, a psychological thriller that features Daniel’s ethereal and chilling score.

      Daniel’s most recent project as a singer/songwriter is The Lost Railroad Journal, a concept country/roots CD of fifteen songs, written from the perspective of an early 20th century drifter--a composite of some of his more colourful pioneer ancestors. The Lost Railroad Journal features sixteen performers, many of whom join Daniel to perform the songs live as part of The Jones Collective. Two separate new solo projects are currently in the works.

     In the capacity of picture and or sound editor Joe has had a long and storied career spanning 18 years. He learned his craft at Algonquin College in Ottawa, Ontario. After completing film studies, Joe was recruited as an editor with the CBC’s (Canadian Broadcasting Corporation) distinguished biographical film unit headed by journalist Patrick Watson. For several years, Fitzpatrick worked on various documentary series such as THE CANADIAN ESTABLISHMENT, LAWYERS and THE CHINESE. He then moved on to work with the Academy Award-winning company Crawley Films, largely in the field of animation. As senior editor, he specialized in music and sound effects editing on over 100 projects that won many prestigious awards. Among these were gold medals at the New York and the Houston International film festivals.

     Fitzpatrick went on to explore the digital domain of motion picture editing. His first credits included sound effects editing on Martin Sheen’s COLD FRONT, post coordinating on Don O’Bannon’s (writer for Alien & Total Recall) THE RESURRECTED. Later he edited numerous Canadian features. Some selected credits include, DARK WATER directed by Ron Chartier and STARLIGHT produced and directed by Jonathan Kay and SISTER BLUE written and directed by Doug Greenall. Other recent projects include editing Danny Antonucci’s (LUPO THE BUTHCER) ED,EDD n EDDY an animated series for the Cartoon Network in the US and the TV series WALKING AFTER MIDNIGHT.

     Joe is currently producing and directing PSYCHEDELIC SNAPSHOT, a documentary on Karl Ferris, a photographer from the 60s.